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The "Zatoichi" (or "Ichi the Masseur," see below) movies were among the most successful period movies in history of Japanese cinema, in part due to the stellar performances by the matchless Katsu Shintaro, and storylines which combined serious, intelligent plots with action and comedy. In all, twenty-six movies were produced --- first twenty-five between the years 1962 and 1973, and the last one in 1989. A TV version was also produced in mid-70's.

The Shogunate

The story of "Zatoichi Meets Yojimbo" borrows elements from the mid to later years of the Tokugawa Era (approx. 1603-1868, also called Edo Period), the period named for the 15 generations of Tokugawa Shogun (Military Overlords) that ruled the nation, maintaining a relatively static society, for over 250 years. This period of military-rule is characterized by its relatively peaceful order overall, clear division of the social hierarchy, extravagance by the privileged classes, isolation from the West, a lot of convoluted treachery, and many important cultural and intellectual advances.

The Shogunate was the official governing body of the nation, consisting of the Samurai centered around their Lord, a Shogun. He was the chief administrator, who gave orders through his councilors, the Tairo (Great Councilor, only appointed during special circumstances) and the Roojuu (Senior Councilors). Although the former were only required to be present at the Shogun's castle 2 days each month, Roojuu were officially at the top of the administrative hierarchy, and were mostly responsible for managing the various administrative affairs of the Shogunate. They in turn gave orders to the commissioners who were responsible for matters relating to finance, taxation, the monasteries, and city administration & justice.

Also taking orders from Roojuu were the Oometsuke (Inspector Generals), who checked up on individuals suspected of disloyalty to the Shogunate, monitored the the conduct and performance of Shogunate members and officials, and helped to maintain the Shogunate's relationships with the many Daimyo who still survived. Under them were the 16 Metsuke (Inspectors) and further below, the Wakadoshiyori (Junior Councilors, who were responsible for overseeing the affairs of the Hatamoto and other lesser Shogunate retainers). These officials frequently appear in Samurai films, often as the bad guys.

(For more background details on the history of the Shogunate, see our other liner notes, available on the website)

Zatoichi Meets Yojimbo

Milking the Money Supply

In "Zatoichi Meets Yojimbo," the plot revolved around debased coinage. Although money existed for many centuries in Japan, rice and silk remained the major instrument for exchange until the 12th century, when trade with China re-introduced copper coins after a period of trade standstill between the two countries. "By the 14th century Chinese copper coins were in wide use. The rise of a money economy made the control of copper, silver, and gold mines important, and they became the object of contention among the warring daimyo." (Hane)

The minting and standard usage of gold coins called Oban and Koban ("big coins" and "little coins," respectively) was ordered by the goverment in the late 1500's. Oban, which were almost a foot long, were primarily used among administrative offices and retainers, while Koban, thanks to their more portable cigarette-box size, were the coins widely used by merchants and richer townspeople.

The koban issued in 1601 by Fushimi Mint (which was founded that year by Ieyasu, the 1st Tokugawa Shogun) was worth 1 ryo, weighed 44 momme (approx. 6 oz.), and "cointained 67.7% gold, 27.8% silver, and 4.5% copper," according to Sansom. The koban from this time period were generally called "Keicho Koban," which refers to the years of Keicho (1595 - 1614). The Oban coins were worth 10 ryo. It should be noted that 1 ryo was a lot of money for an average person. Mon coins, at 1/4000th of a ryo, and kan coins, at 1000 mon, were the coins most people used.

Debasement first occurred during Tsunayoshi's rule (the 5th Tokugawa Shogun who reigned from 1680-1709). Just as many expensive projects were begun, the Shogunate was hit hard with decreasing output from the gold and silver mines, and thus faced a growing financial crisis. "Tsunayoshi debased the coinage in 1695 and created an inflationary situation. Although the government's revenues were increased substantially by this means, deficits had again increased by the end of his reign." (Hane) In the last year of Tsunayoshi's rule, "revenues came to about 760,000 to 770,000 ryo, as opposed to expenditures of 1.4 million ryo." Thus, deficit spending is far from a modern invention.

Shoguns after Tsunayoshi took measures to prevent further debasement of the coinage, and even to raise their quality. However, adulterated coins were issued several times after Tsunayoshi's time for various reasons. A chief officer at the Mint named Goto Shozaburo was appointed by Ieyasu to formulate currency policies for the Shogunate, and many years later, the Goto family was still overseeing the Mint. During the time of Ienari (the 11th Shogun, reigned from 1787-1837), Goto San'emon, burdened with his own family debts, was approached by the Elder Mizuno in an effort to repair the Shogunate's financial situation (and to help Goto at the same time). They succeeded in 'raising' more than 2 million ryo by issuing smaller and adulterated coins, though only to be faced with disastrous consequences as time went by, primarily due to the extravagance and pleasure-seeking customs that characterized this time period. Koban issued around this time, called Man'en Koban, weighed no more than 3 grams, and measured about quarter the size of Keicho Koban. The last money issued by the Shogunate was in fact paper money upon which was written "100 ryo of gold."

Currency Conversions

1 "ryo" = 4000 "mon" coins = 4 "kan" coins = 50 "momme" (silver weight, 3.75 grams or 0.13 oz.) = 6.5 oz (of gold, ideally)

1 "kan" = 1000 "momme" = 3.75 kg or 8.2 lbs.

1 ryo can be considered roughly equivalent to 350,000 Yen. (Based on the gold exchange rates, reported by NHK in the late 1990's). 1 ryo bought roughly 1 koku (approx. 180 liters or 5 bushels) of rice, which is about a year supply of rice. In a recent NHK documentary, it was reported that Tokugawa Ieyasu (the 1st Tokugawa Shogun) had amassed by the time of his death approximately 6 million ryo of gold (about 64% in Koban, 14% in Oban, the rest in other forms of gold), roughly equivalent to 2.1 trillion Yen.

The Title

The original Japanese title, "Zatoichi To Yojimbo," can simply mean "Zatoichi and Yojimbo," but both a translation of the title that was made many years ago and Toho's suggestion have resulted in our "Zatoichi Meets Yojimbo."

"As long as you can slice daikon with it." - Ichi

Daikon are long, arm-sized, Japanese radishes.

"As you can see, I am an anma... people call me "Ichi the Masseur." - Ichi

"Anma" refers to blind men, for whom giving massages was a traditional occupation.

Another word for "anma" is "zato," hence the main character Ichi is called "Zato-no-Ichi" (Ichi the Zato, or Ichi the Masseur), "Zato-Ichi" (or Zatoichi) for short.

As in medieval Europe, at the time, the names of many people were based on their occupations.

"So you steal from the bathers whenever you have a chance." - Ichi

At this time, public bathhouses were gaining popularity, not only with the patrons but with the thieves who preyed upon them.

"Oh, the coffin-maker! Yes, sir. He sculpts jizo all year round."

Jizo are stone statues commemorating the deceased.

"Count me out! You kill an anma, and his ghost will come back and haunt you!" - Sasa

An ancient superstition, one that no doubt anma took pains to encourage!

"1-ryo per man. If paid right now, then 1-bu" - Sasa

1-bu is equal to one-fourth of a ryo. The koban gold coins are each worth 1 ryo.

"Could you possibly lend me 2-bu or so, to get me started?" - Ichi

"2-bu?! I don't carry around pocket change like that! Sorry, but I've only got big money. I've got 3-ryo!" - Sasa

The joke here is visual. When Ichi slices the koban (which is 1-ryo, or 4-bu) in half, he gets the 2-bu that he asked for.

"I don't care if you're Zato-ichi or Zato-ni, just let me earn my 100-ryo!" - Sasa

"Ichi," the main character's name, is homonymous to the word that means "1." "Ni" means "2." Hence the pun used by Sasa in this scene.

"The scent of plum... I remember now... Umeno... Umeno, it's you, isn't it?" - Ichi

Umeno's name was a common one from that time period. It is derived from the word for plum, "ume." Therefore, it is befitting for a lady named after a fragrant plant to smell beautiful too!

"Don't you shout, yojimbo... sir. I don't like people who shout." - Umeno

"Yojimbo" literally means a guard or bodyguard. Many of them were former samurai hired on temporary basis.

"There's 100-ryo in it for me if I slay Ichi, but I won't pocket 1-mon if I do Masagoro." - Sasa

1-mon is worth one-four-thousandth of a ryo, making it the smallest unit of currency.

"Anma might have know-how, but we don't know how we know how!" - Ichi

The original line in Japanese uses a pun based on similar-sounding words: "chie" (knowledge) and "tsue" (cane). Totally untranslatable, so we came up with our own lame joke.

PS: Some sharp-eyed people may wonder why the copyright for Zatoichi meets Yojimbo is listed as 1965, when the film was released in 1970. Apparently, for some strange reason, the film print lists a copyright date of 1965. We don't think it was actually made until 1970, so this was probably an error, but it is an error that has been compounded in numerous copyright registrations, so "officially" the copyright for the film is 1965. So sayeth Toho!

Zatoichi the Outlaw

The Title

The original Japanese title, "Zatoichi Rooyaburi," has been known among English-speaking fans for many years as "Zatoichi Breaks Jail." This is somewhat of a misnomer due to the fact that while the word "rooyaburi" itself uses kanji characters for "jail" and "break," it actually refers to an escapee, convict or outlaw. And, while "rooyaburi" can work as a pun in this case, we decided to use a title that would be less misleading, hence our translation of the title: "Zatoichi the Outlaw."

"My teacher tells me that you mustn't have an affair with another's wife. He says, don't drink, don't gamble, your craving will only shorten your life." - a song sung by farmers
"The peasants are the treasures of our nation! The nation would collapse without their hard labor. I was only thinking of their welfare, and thus of the nation's welfare. In my opinion, the Imperial Throne and the Shogunate don't matter anymore!" - Ohara Shusui

Ohara Shusui, one of the main characters in this movie, is based on a historical figure named Ohara Yugaku (1797 - 1858), a philosopher and agricultural innovator who led a grassroots movement among peasants. Yugaku's beliefs are integral to the story.

O-Shino: Viewers will notice that the names of women in period movies such as this often starts with "O-," yet the same characters may get addressed without it elsewhere in the same movie. "O-" can be considered as one of the many terms of endearment that exist, but in the modern times it is hardly used!

Anma, Zato- and Mekura: "Anma" refers to blind men, for whom giving massages was a traditional occupation. Another word for "anma" is "zato," hence the main character Ichi is called "Zato-no-Ichi" (Ichi the Zato, or Ichi the Masseur), "Zato-Ichi" (or Zatoichi) for short. As in medieval Europe, in feudal Japan, the names of many people were based on their occupations. "Mekura" simply refers to the blind.

"Sure thing, sir. After all, you've traveled 2-ri to be here!"

A "Ri" is a unit of distance; a little less than four thousand meters or almost two and a half miles.

"A gambler's death is not a peaceful one." - Ichi

The original line makes a reference to the deathbed being on top of tatami, or a traditional Japanese woven mattress. Peaceful funeral rites were usually performed this way only for the ordinary people.

"No matter what, in the end, you'll lose, because they have the support of the Deputy of Kanto. Regardless of what happens, you'll be forced to sell your land, sir." - Ichi

"Kanto" refers to the eastern part of Japan, which consisted (at the time the story took place) of several major provinces.

"Hush, why don't you?! I was born with this big mouth of mine! Women, you see, will get old no matter what! If you keep on whining... I'm gonna lump you all into a ball and suck you in!" - the lady being razzed by the anma.

Kyo Utako, a famous stand-up comedienne, makes a cameo appearance in this scene. These lines are typical of her comedy routines.

"Her breasts, y'know... are, well... as fluffy and soft as Mochi!" - Sanji

"Mochi" is a soft, rubbery food that is made of pounded rice. It is often consumed at holiday celebrations, and in rare circumstance results in the eater choking to death! This has resulted in a number of classic japanese newspaper headlines ("Man celebrates 100th birthday, chokes to death on Mochi!")

"Oh? My daifuku got squashed! ...2...3...4...Hey! They're gone! Dammit! Who's the thief?!" - an anma

"Daifuku" is a snack food made of mochi, with sweet bean paste inside, and is rather fragile.

"Last night I fell seven times... That's what's "eighting" me... La la la..." - an entertainer.

Japanese puns are usually impossible to translate, and so we spend hundreds of hours during the translation attempting to come up with English versions that are precisely as lame as the originals. Here, the joke is on the use of numbers "7" and "8."

"I seem to remember that he once served the House of Kujo in the capital..." - Suga
"Kujo of Kyoto... He could be an imperialist." - Saito

Kyoto, the capital city of Japan at the time, was where the Emperor and his Imperial Court resided. The Kujo family was among the most powerful imperialists whose activities were centered around Kyoto.

"An imperialist?" - Suga
"They oppose the great Tokugawa Family, who have governed Japan for 300 years. They're insolent fools who want to rule the nation!" - Saito

In contrast, the Tokugawa Shogunate centered around the city of Edo.

In Memoriam

Katsu Shintaro died of cancer on June 21st, 1997 at the age of 65. The famous, multi-talented actor-director-producer, affectionately called "Katsu-shin" by most Japanese, began his career in the 1940's, and was perhaps best known for his portrayal of the blind swordman, Zatoichi, in a long-running film series which was among the most successful in the history of Japanese cinema. As a producer, he fathered such hit movies as "Lone Wolf and Cub," which starred Katsu's brother, Wakayama Tomisaburo, and "Nemuri Kyoshiro," both of which are now being released in the US by Samurai Cinema.

Known for his love of alcohol and cigarettes, in the recent years Katsu-shin spent increasing amounts of time in the hospital, only to be seen lighting up cigars at press conferences held to announce his recovery.

Two days after his death, five thousand people attended his memorial service at a Tokyo temple.

Research Notes:

A considerable amount of historical research was necessary in translating Samurai Cinema's films and in compiling the information contained here. Among the many sources we have consulted, the following were especially helpful:

1) "Tokugawa Japan - The Social and Economic Antecedents of Modern Japan" Chie Nakane, Shinzaburoo Ooishi and Conrad Totman, eds. Univ. of Tokyo Press, 1990

2) "Japan - A Historical Survey" Mikiso Hane. Scribner, 1972

3) "A History of Japan: 1615 - 1867" George Sansom. Stanford Univ. Press, 1963

Production Staff

Production Staff - Zatoichi Meets Yojimbo
Produced by Katsu Shintaro and Nishioka Hiroyoshi
Based on the story by Shimozawa Kan
Screenplay: Okamoto Kihachi and Yoshida Tetsuro
Director of Photography: Miyakawa Kazuo
Sound Recording: Hayashi Tsuchitaroo
Lighting: Nakaoka Gengon
Music: Ifukube Akira
Art: Nishioka Yoshinobu
Editing: Taniguchi Toshio
Sound Effects: Kurajima Yoo
Fight Choreography: Yuasa Kentaroo
Assistant Director: Nakanishi Chuuzoo
Production Manager: Sanada Masanori
Film Developing: Toyo Laboratories

Directed by Okamoto Kihachi
Production Staff - Zatoichi the Outlaw
Produced by Nagata Masaichi
Original Story: Shimosawa Hiroshi
Planning: Itoo Takeo & Miyako Tokuko
Screenplay: Nakajima Takehiro, Matsumoto Kooji &
Saruwaka Kiyokata
Director of Photography: Miyagawa Kazuo
Music: Ikeno Sei
Recording: Hayashi Tsuchitaroo
Lighting: Nakaoka Gengon
Art Direction: Nishioka Yoshinobu
Editing: Suganuma Kanji
Fight Choreography: Kusumoto Eiichi
Assistant Director: Tsuchii Shigeru
Production Manager: Nishizawa Etsuji
Theme performed by Katsu Shintaro on Daiei Records
Film Developing: Toyoo Labs

Directed by Yamamoto Satsuo
US Production Staff (Subtitling)
Executive Producer / Subtitling Director: Robert J. Woodhead
Assistant Producer / Translator: Shin Kurokawa
Dialogue Checker: Ueki Natsumi
Cultural Consultant: Hisayo Klotz

Voice Actors

Cast - Zatoichi meets Yojimbo
Katsu Shintaro as Zatoichi

Wakao Ayako
Takizawa Osamu
Yonekura Masakane

Kishida Shin, Arashi Kanjuroo, Kamiyama Shigeru, Hosokawa Toshiyuki, Terada Noo, Tsunazuka Hideo, Kusano Daigo, Tomita Fujio, Kimura Gen, Tanaka Hiroshi, Kimura Hirohito, Gomi Ryuutaroo, Hamada Yuuji, Etsukawa Hajime, Kuroki Gen, Nizeki Junjiroo, Atsuta Yooko, Tsuyama Productions & Kenmutsu Kai

and Mifune Toshiro as Sasa Daisaku, the Yojimbo
Japanese Cast - Zatoichi the Outlaw
Katsu Shintaro as Zatoichi

Mikuni Rentaroo, Nishimura Koo, Hamada Yuuko, Ishiyama Kenjiroo, Hosokawa Toshiyuki, Fujioka Takuya, Suzuki Mizuho, Endoo Tatsuo, Mikimoto Kayo, Matsushita Tatsuo, Tamagawa Ryooichi, Furukawa Enkyuu, Ootori Keisuke, Kyoo Utako, Sakai Osamu, Hayakawa Yuuzoo, Morita Manabu, Yanno Tadashi, Mizuhara Kooichi, Date Saburoo, Kimura Gen, Mizushima Maya, Moori Ikuko, Oki Tokio, Fujikawa Jun, Kobayashi Kanae, Ishihara Tsumao, Kitano Takuya, Katsumura Jun, Okajima Yooko, Nishioka Hiroyoshi, Yabuuchi Takeshi, Taniguchi Kazuko, Koyanagi Keiko, Shiga Akira, Kikuno Masayoshi, Fukui Ryuuji, Hasegawa Shigeru, Hisamoto Nobuko, Taki Noboru, Mitsuboshi Tomi, Hori Sawako, Takadera Tadashi & Toga Shizuko

AttachmentSize
Zatoichi Meets Yojimbo Liner Notes (PDF)60.14 KB
Zatoichi the Outlaw Liner Notes (PDF)37.94 KB
Zatoichi: The Festival of Fire Liner Notes (PDF)44.59 KB
Zatoichi at Large Liner Notes (PDF)36.09 KB
Zatoichi in Desperation Liner Notes (PDF)39.74 KB
Zatoichi's Conspiracy Liner Notes (PDF)33.4 KB
Zatoichi meets the One-Armed Swordsman Liner Notes (PDF)46.9 KB